Where can you see a poet reading her work underneath a gray sedan? Tonight, Wayne’s World of Automotive Services in Beverly, Massachusetts hosted a reading where poets stood at a podium underneath an auto lift, surrounded by tools and fluorescent lights.
The event was part of the Improbable Places Poetry Tour, a rotating performance night which has also visited a bike shop, a tattoo parlor, a swimming pool, a roller skating rink, and other locations. In each setting, the poets set up shop for one night, surrounded by a cheerful audience and a cameraman from Beverly Community Access Media.
What’s poetic about cars? One might ask. In the red light of passing tow trucks and emergency vehicles, the audience heard how cars become part of one’s family and one’s life story. One poet even said her dress matched her father’s car. It was clear that cars are objects of affection to which we ascribe personalities. We also associate cars with being teenagers. Each generation remembers different cars and knows what it feels like to drive them.
The language of cars – “revved up,” “full throttle,” “shifting gears” – permeates American vocabulary the same way sports metaphors echo down the halls of Midwestern businesses. Like sports, cars are one of our central metaphors. When we play the game of life, cars are always by our side.
Every day, we are surrounded by cars. Some of us evaluate strangers based on their car choices. When we meet a new person on the highway, we see the car he or she is driving, not the person at the wheel. Many of us depend on cars continually, driving for even short errands.
So it’s not surprising that we feel symbiotic with our cars. Hearing poets describe their relationships to cars tonight cemented that awareness for me.
An audio clip I recorded while listening to a poet named J.D. expresses this sentiment in one concise line:
“We were baptized in grease.”