Reading The Science Writers’ Handbook: Everything You Need to Know to Pitch, Publish and Prosper in the Digital Age gave me a glimpse into the world of full-time magazine writing – a world which I may never enter but still view with enthusiasm and curiosity.
Science journalists spend their lives digging through the mud of news content, research articles, conversations and experiences for gems – ideas that, when polished into queries, will capture the attention of editors. Some journalists even spend their vacations building the background structures of local stories.
A science article may start with a very rough idea that needs extensive polishing. Sometimes, just a sparkle or flash indicates the value of the query within. A query e-mail cannot be simply a discussion of a topic – it needs a newsworthy angle and some exploration of the potential arc of the story.
As journalists explore their subject matter, they use audio and visual tools to record their surroundings. These tools may include tape recorders, cameras and note-taking equipment. Part of their work during interviews is to capture the context of the stories – personal details, local color, and other highlights that give stories personality and depth.
When science journalists are ready to build their story lines, they use a range of newswriting structures. One of the structures is called a “layer cake” because it alternates between scenes and their context. Putting together a story is an intuitive and experimental process similar to assembling an artistic or architectural model.
On reading the handbook, I resolved to include more concrete details in the stories I produce. My experiments with visual descriptions have turned out well in the past. Both with print stories and multimedia, I see the process of journalism as being like creating a three-dimensional piece of art – adding some elements, removing others, and seeing how the structure hangs together.